Category Archives: Patent/s

Tangible benefits of an intangible heritage

The UNESCO tag has given our Durga Puja an international stature and definitely boosted the economy, says former culture secretary Jawhar Sircar.

The UNESCO application

Tapati Guha-Thakurta, cultural historian

I was approached by the ministry of culture, Government of India, in 2018 to put together a dossier on Durga Puja. A joint secretary of the ministry had come across my book In the Name of the Goddess: The Durga Pujas of Contemporary Kolkata and that is how they thought of contacting me. They wanted to submit an application to UNESCO for the inclusion of Durga Puja in India in the list of Intangible Cultural Heritage.

The joint secretary told me that the government at the Centre had applied for the listing earlier, but without success.

I accepted the offer after some thought. We had four months to prepare. The application form runs into 30 pages with questions such as “Is there any part of the element that is not compatible with existing international human rights instruments or with the requirement of mutual respect among communities, groups and individuals, or with sustainable development?” Another question reads — “How would human creativity and respect for cultural diversity be promoted by the inscription of the element?” Each answer has a word limit!

My book was the product of many years of research, so in a sense I knew the answers but there was also a need to update some things.

To start with, I picked a bunch of researchers. We pored over the previous
applications and samples of successful ones. We needed to convey in our appli-
cation that this event is a public performance of religion and art and involves
the community.

The ministry’s representatives were keen on listing Durga Puja of India in the UNESCO list. But I argued that the festival has evolved into a unique community event rooted in Calcutta over the past two centuries and that it was Durga Puja in Calcutta that would tick all the requisite boxes.

We needed signatures from various community stakeholders. This was a requisite of the application. We met idol makers, artists, families hosting Durga Puja for generations, representatives of Puja committees, corporate sponsors, media, councillors and government officials. This bit of getting people to sign endorsements was a challenge.

In December 2021, “Durga Puja in Kolkata” was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. UNESCO authorities have a provision for periodic status checks to safeguard the basic elements of Intangible Cultural Heritage — inclusivity, diversity, openness and aesthetics.

Internships, sponsorships

Jawhar Sircar, former culture secretary

From the beginning of the new millennium, UNESCO came up with quite a few conventions or regulations to guide nation states in the restoration of antiquities or cultural properties. There were several successful efforts in the area of tangible heritage. But not much had been done till then to preserve intangible heritage.

UNESCO selected and approved the first lot of intangible heritage inscriptions in 2003. At the time, Atal Bihari Vajpayee was the Prime Minister. India was awarded the intangible heritage tag for Ramlila, Vedic Chanting, Kutiyattam, Ramman and Nowrouz. In 2008, UNESCO revived the convention with a modified procedure. As the Union secretary of culture, I participated in this process at the UNESCO. I learnt a lot about presenting professional proposals to the UN body.

China had obtained approval for 36 inscriptions of its ancient cultural practices. We too decided to get our act together. In 2009, India submitted 10 to 12 such dossiers.

By then we realised that the central government has its limitations when it comes to identifying things in a country as diverse as India. And so we decentralised it and involved the states. In 2016-2017, the Government of India decided it would choose the subjects and then get the dossiers prepared by those best suited for the job.

The UNESCO tag has given our Durga Puja an international stature and definitely boosted the economy. Tourism is just one benefit, it has also opened up new avenues for artists. Students from art colleges find opportunities to intern, pandal design has become a more structured affair and with the increase in footfall, more sponsors have come forward.

By Moumita Chaudhuri

Theme, preview, carnival

Bhabatosh Sutar, artist

In 2013, I went to Paris. It was my first trip abroad. Nobody knew me. No sooner than I touched down, my friend took me to an art gallery. An exhibition had been inaugurated that very day. A woman came up to me, introduced herself and addressed me by my name. I was taken aback. Eventually I learnt that she knew of me from Tapati Guha-Thakurta’s book. Though the UNESCO tag was yet to come, that day I had a preview of how international recognition of Durga Puja would translate for all involved in this effort.

My first Durga Puja was at Barisha, followed by Behala… That was at the turn of the millennium. Much has changed since. Words like theme, preview and carnival have been added to the Durga Puja lexicon. The art factor has acquired a different dimension altogether.

The UNESCO tag has meant even the smaller pujas have been catapulted into this collective fame.

If you ask me, Durga Puja right now is only just coming into its own as an art event in the global scene. It will blossom as time goes by.

By Moumita Chaudhuri

Tourism booster 

Atri Bhattacharya, former state tourism secretary

I have long believed that Durga Puja is West Bengal’s biggest tourism property. And tourism is a very important economic driver for a state like Bengal. While heavy industry comes at a price in an agrarian region, tourism must be developed to supplement industrial investment.

When I worked in the state tourism department, we did our best to promote Durga Puja as the world’s greatest public festival. The UNESCO proposal made a case for the economic importance of Durga Puja.

The state government and the British Council had commissioned a study to evaluate its economic importance. According to the 2021 report, annual estimated Durga Pujarelated profits are ₹32,000 plus crore. Today, it is estimated at close to ₹50,000 crore.

The tourism department did its best to publicise Durga Puja worldwide. We managed to get coverage in international publications and also flooded the Internet with attractive audio-visual modules. We conveyed the sheer scale of the festival.

A lot has happened after the UNESCO tag but I think only 50 per cent of Durga Puja’s economic potential has been tapped to date. The tourism potential should be fully realised. This will then have a ripple effect on other sectors of the economy. I hope the new government accepts that while Durga Puja is a rich aspect of religion, it is also a social, cultural and economic phenomenon.

By Prasun Chaudhuri

Rural employment guarantee scheme

Purnendu Dey, artist

Iwas born into a family of carpenters in Channa near Burdwan. For generations,
our family made Durga Puja decorations for the royal family of Burdwan. The royal family’s puja centres around the worship of Pateshwari Devi, a patachitra represen-
tation of Durga.

I learnt to paint in childhood but my formal training was at Kala Bhavana, Santiniketan, and Calcutta’s Government College of Art and Craft. I arrived in Calcutta in 2003 and started taking up Durga Puja-related assignments. I started to build a team of artisans, farmers, farm labourers and students from art colleges. To date, I hire traditional wood carvers from Notun Gram in Burdwan to execute intricate installations. In addition, I train rural workers in fibre casting, sand casting and ceramics.

These indigenous artists bring to their work an innocence and sincerity, a worship-like quality. Although some of them belong to marginalised communities, everyone works as a cohesive unit. The team lives, cooks, eats and works together for three months in the pandal like a family.

Durga Puja is a traditional employment guarantee scheme. For centuries, it used to be sponsored by traders and zamindars across Bengal’s villages. Every year after the cultivation of the aman crop in July-August, most farm labourers would have no work. Between then and harvest time, the puja generated work and kept the wheels of economy turning.

In 2019, I was one of the many artists whose inputs were sought by the team of researchers who filled the UNESCO form. I pointed out that Durga Puja has been providing our rural population with more than 100 days of work.

By Prasun Chaudhuri

Art avatar

Arijit Maitra, general secretary, Samaj Sebi Sangha

In 1969, the directorate of tourism introduced the concept of awards during Durga Puja. Bagbazar topped the list, second was Samaj Sebi and Gouriberia came third. In 1976, the government introduced another award wherein people’s choice and involvement were given weightage.

The Asian Paints award of the 1980s was a game-changer. Awards began to be given for idol, pandal and lighting. I remember Adi Ballygunge, Broad Street and Bondel Road would bag the prizes for their idols, while Mudiali and Jodhpur Park would be winners in the lighting category.

Artists such as Bhabatosh Sutar, Susanta Paul and Amar Sarkar brought in the concept of theme puja in the late 1990s.

When research for the UNESCO tag began in 2019, installation art was making a debut. The festival had already become more structured. Durga Puja is now an artists’ affair, with light and music directors, theme composers, mechanism technicians, projection operators and curators all roped in.

By Moumita Chaudhuri

Before the beginning

Ruby Palchoudhuri, president emeritus, Crafts Council of West Bengal

My journey of presenting the Durga Puja of West Bengal to the global audience began many years ago. I call it my Durga yatra.

In the 1990s, I took artisans from across Bengal to the UK, Europe, the US and Australia. They made Durga idols there. It was my attempt to show the world how much we invest in Durgotsav.

Wherever we showcased our work, I would choose a theme. In 1995 at the Peabody Essex Museum, Massachusetts, US, master craftsman Nemai Chandra Pal from Krishnanagar and his assistant Biswajit Chakraborty built a 10 by 8.5 feet idol of Durga. Nemai Pal is not only an ace sculptor, he knows our culture well. He followed the description in our shastras while creating the image of the goddess. The programme was inaugurated by Siddhartha Shankar Ray, the then ambassador to the US. The Smithsonian Institution funded the whole programme.

In 2002 in Scotland, at the National Museums Scotland, Nemai Pal built a Durga using clay from River Tay. The Scottish Arts Council, now called Creative Scotland, sponsored the event. In 2006 at the British Museum, we created an 18-foot Durga protima. Gurupada Chitrakar painted the chalchitra and held workshops with school children. Our artists had great fun with the staff of the health and hazard department. They had to use scaffolds and ladders to work on the top part of the idol. They were ordered by the officials to wear boots whilst working on the ladder. Our artists were uncomfortable. When the health and hazard staff were not looking, they would take off their boots. Such are the cultural differences!

The last Durga yatra I organised was in 2007 in Australia. It was titled Goddess: Divine Energy and hosted at the Art Gallery of New South Wales museum, Sydney.

The UNESCO tag has made Durga Puja relevant and empowered artists and all those involved in this cultural festival.

By Moumita Chaudhuri

City turned art gallery

Sunanda Sanyal, professor emeritus of art history

I left India in 1988 for higher studies and eventually settled down in the US. For two decades, I did not have the opportunity to visit Calcutta during Durga Puja. In 2007, when I did, I saw how the festival had undergone a metamorphosis. I made a documentary film called A Homecoming Spectacle.

Part of it focused on a select group of theme artists and their creations. These creators — modern visual artists — had bridged the gap between highbrow gallery art and popular, large-scale public spectacles. They transformed the city into an open-air art gallery every Durga Puja.

Four years later, in 2010, I saw another big shift. I captured this in a sequel A Homecoming Spectacle: Issues. That year, the trend was to showcase folk arts and artists in the Durga Puja pavilion. Some pandals were criticised for going “overboard”, taking unlimited creative license. An image of the asura as Osama bin Laden and a pandal showing a train wreck were criticised.

In 2019, when Tapati Guha-Thakurta was asked to fill out the UNESCO application form, I was among the many people who supported the effort. Two years later, when UNESCO granted the heritage tag, we were excited. We expected the inscription would enhance the already growing international face of Durga Puja and add a new dimension of artistic creativity.

By Prasun Chaudhuri

A package deal

Shailaja Mundra, Kolkata unforgettable

About 15 years ago, when no one was thinking about a UNESCO tag, my husband Sudarshan and I would go around pandal hopping come Durga Puja.

We met the organisers, spoke to the artists and labourers and gathered stories from the people of the city. We discussed themes and took photographs of the Durga idols. I created albums on my social media page. Our event management company started getting the occasional enquiry from people outside of Bengal about Durga Puja.

Post the UNESCO tag, things changed dramatically. Three years ago, a group of eight people from New Delhi contacted me. They wanted to come to Calcutta to experience Durga Puja. They wanted a luxury travel experience, avoid crowds
and queues while still soaking in the spirit of the festival.

We went around looking for luxury buses but nothing was available. So we decided to book cars. Then we roped in Khelat Bhavan of Pathuriaghata, where we organised a 45-minute dance drama wherein we showcased all the rituals of Durga Puja from agomoni to pushpanjali to sindur khela to bisarjan. It was an interactive programme.

In 2024, this number went up to 240 and in 2025, 600. People come from Mumbai, Kochi, Visakhapatnam, Hyderabad, Ludhiana, Delhi, Chennai, Indore…We customised our tour plan. Included dance dramas and cruises on the Hooghly, heritage walks, visits to the Kalighat Temple, a taste of Bengali food.

My daughter Vasudha Pachisia is planning to take our effort forward. She says artists from Bengal are now being called to Bengaluru to set up studios.

By Moumita Chaudhuri

From Tallah to Times Square

Abhishek Bhattacharya, Forum for Durgotsav

Durga Puja is a huge industry, running into thousands of crores; one crore households benefit from it. But it is a completely unorganised sector. There are no official documents to show the spending. There are no GST bills. Payments are made at various levels. There are labourers, decorators, lightmen, idol makers, dhakis, purohits, electricians, the stalls outside the pandals… The list is long. People shop more during Durga Puja. Even the car manufacturing industry gets a boost.

The UNESCO tag means a lot for the artists. The competition among them has increased so much that they now plan, coordinate and work year-round for Durga Puja. The moment one puja ends, the organisers start planning for the next year. The artists are booked a year ahead.

Earlier, the puja carnival had foreigner footfalls. Recently, we learnt that a pre-Puja event will be organised at the Eden Gardens this year. This too is likely to draw tourists.

It is important that Calcutta gears up to entertain this crowd in terms of infrastructure and traffic management.

The UNESCO tag has done its bit. Last year, Durga Puja was celebrated for two days at New York’s Times Square. This year, it will be live screened on premium digital boards in Times Square, in Dubai’s Burj Khalifa and in London’s Piccadilly Lights to give a realtime feel. The 2026 theme of the tourism department is Bishwajure Bangalir Abeg — Durga Puja Global Connect 2026. With the new government in the state, the expectations are higher.

By Moumita Chaudhuri

source/content: telegraphindia.com (headline edited)

Inventors from Hyderabad-based LVPEI get Australian patent for potential therapy to treat damaged corneas

Two inventors from L.V. Prasad Eye Institute (LVPEI) in Hyderabad have been granted an Australian patent for a cell therapy that can be used to repair damaged corneas from a variety of corneal diseases. However, the therapy needs more validation before it is used on patients.

The two inventors who were granted the patent are Sayan Basu and Vivek Singh. Dr. Basu is a corneal surgeon and a clinician-scientist at LVPEI. He is the Prof. D Balasubramanian Chair of Eye Research at the Brien Holden Eye Research Centre (BHERC); and the Director of the Centre for Ocular Regeneration (CORE) at LVPEI. Dr. Vivek Singh is a scientist at the Sudhakar and Sreekanth Ravi Stem Cell Biology Laboratory and Centre for Ocular Regeneration (CORE), LVPEI.

Clinical trials underway

“The patent is granted for the advanced cell compositions comprising limbal epithelial and stromal cells for treating and preventing corneal diseases, along with their production methods and therapeutic applications. The therapy was previously granted a patent by the Patent Office, Government of India , for a period of 20 years in accordance with the provisions of the Patents Act, 1970. Government of India approved clinical trials are also under way. It will need more validation before it is available for patient use,” as per a press release issued on Thursday (March 13, 2025).

What is a cornea?

Cornea is a dome-shaped, transparent outer layer of an eye which protects it from debris and more. It filters ultraviolet light.

How do corneas get scarred?

Corneal scarring happens when the cornea is damaged and turns opaque due to infection or accidents. Corneal blindness is a major cause of blindness and vision impairment, especially in low- and middle-income countries.

Current and potential treatments:

Most forms of corneal blindness currently require corneal transplants, which are complex and require lifelong management. This patented composition has the potential to offer a viable alternative to transplants that uses either the person’s own, or donor corneal stem cells to repopulate the corneal surface with healthy, clear cells, as per the press release. 

Dr. Sayan Basu said, “If the clinical trials are successful, this cell-based therapy could revolutionise the treatment of various corneal pathologies.”

source/content: thehindu.com (headline edited)

NATIONAL: BEACON of INDIA INC. : Ratan Tata family tree: From Jamsetji Tata to Maya Tata, know all the members here

Ratan Tata Family tree: Here’s a look at the family lineage of the Tatas.

Ratan Tata complete family Tree: Ratan Naval Tata, chairman emeritus of Tata Sons, passed away at Breach Candy Hospital in Mumbai Wednesday night. He was admitted following age-related health issues and was undergoing treatment at the hospital. Tata, a beacon of India Inc, steered his group amid India’s economic liberalisation and, subsequently, guided its global expansion.

Conferred with the Padma Vibhushan, Tata was considered one of the greatest philanthropists in the country who touched lives of millions through his work in the field of healthcare, education, drinking water and many other areas.

Here’s a look at the family tree of the Tatas

Jamsetji Tata, the founder of the Tata Group was born to Nusserwanji Ratan Tata and Jeevanbai Kavasji Tata, in 1939. apart from Jamsetji, Nusserwanji had four other children — Ratanbai, Maneckbai, Virbaiji, Jerbai.

Born into a family of Parsi priests, Jamsetji broke the tradition as he started his own trading firm in 1868 at a young age of 29. He started with a textile mill in central India in the 1870s. His vision later set the foundation for technical education in India and helped the nation to be counted among the industrialised nations.

Jamsetji married Hirabai Daboo and had three children — Sir Dorabji Tata, Dhunbai Tata and Sir Ratan Tata. 

Dorabji, the elder son of Jamsetji, was instrumental in translating his father’s vision into reality. It was under his leadership that the Sir Dorabji Tata Trust was created, propelling the Tata tradition of philanthropy. Jamsetji’s younger son, Ratan, was a philanthropist who created a trust to fund educational development, alleviate human sufferings and other public utility works.

Sir Ratan Tata married Navjbai Sett and adopted Naval H Tata. Naval married Sonoo Commisariat and had two sons — Ratan N Tata and Jimmy N Tata. But Naval and Soonoo divorced when Ratan N Tata was only 10 years old. Naval later married Simone Dunoyer and with her, had a son, Noel Tata. Noel is Ratan and Jimmy’s half brother.

While Ratan and Jimmy never married, Noel tied knot with Aloo Mistry, sister of late Cyrus Mistry, who served as Chairman of Tata Group. Noel and Aloo have three children — Leah Tata, Maya Tata and Neville Tata.

Neville is married to Manasi Kirloskar and together they have two children – Jamset Tata and Tiana Tata.

Again, Jeevanbai Kavasji Tata’s brother Dadabhai Kavasji Tata (adopted son of Kavasji Maneckji Tata) had a son with his wife Bhikhibai. Dadabhai’s son Ratanji Dadabhai Tata married a French woman Suzanne Briere. They had five children — Syla Petit, Jehangir Ratanji Dababhai Tata, Rodabeh Tata, Darab Tata and Jimmy Tata. 

Jehangir or JRD Tata, who went on to become Tata Chairman, pioneered civil aviation on the subcontinent in 1932 by launching the airline which is now known as Air India.

source/content: indianexpress.com (headline edited)

NATIONAL: DRONE PATENTS: Patent Granted: Path-Breaking Drone Technology Developed by Anna University Researchers to Revolutionise Package Delivery Applications

A path-breaking technology has been developed by the researchers at the Madras Institute of Technology, Anna University, Chennai that may open up a new era of drone operations.

The airborne-based intelligent autonomous landing system for mini-Unmanned Aerial Vehicles that come with accurate identification of geographical location of landing sites from the plurality of images captured has been granted patent by the Indian Patent Office, Intellectual Property India.

“The technology would immensely help in the delivery/pick up of load such as weapons, ammunition, medicines, food etc. to armed forces deployed along hilly terrains or inaccessible locations along the border,” said Dr K. Senthil Kumar, Professor and Director, Dr Kalam Advanced UAV Research Centre, Department of Aerospace Engineering, MIT,

The system developed by his team of researchers is capable of not only finding the precise location of a marker like a particular coloured dress or object on the site and land there safely even if it were to be a hilly terrain with uneven surface and slope. At present, existing UAVs were designed to land at a pre-determined well prepared plain surface locations,

Dr Senthil Kumar explained, “Once the landing site is identified, the position coordinates are obtained and UAV lands at the target including moving platforms. Further, QR code can also be used to enhance reliability. The efficiency of the UAV landing system is increased, landing time is reduced, and the complete process is on-board and autonomous using AI and deep learning algorithms. The system is particularly useful for Beyond Visual Line of Sight (BVLOS) applications.”

According to Dr Senthil Kumar, the UAV landing system could be utilised in high-altitude logistics drones to assist armed and border security forces in day-to-day essential supplies delivery to border posts, emergency relief and rescue operations or delivery of certain goods to strengthen combat missions.

“We now have UAVs with the capability to fly up to 50 kg load to 20 km. Efforts are on to enhance the load to 100 kg and flying distance to 50 km,” he added.

Highlighting the UAVs utility, Dr Senthil Kumar said, besides defence, firefighting and surveillance operations, the intelligent autonomous landing system for mini-Unmanned Aerial Vehicles could also be used for civilian missions such as organ/medicine delivery in healthcare, product delivery in e-commerce etc.

“The invention marked a significant breakthrough in drone technology as it would revolutionise the package delivery applications. The existing delivery methods were done only by way of airdrop from certain altitudes,” he remarked.

source/content: raksha-anirveda.com (headline edited)

INTERNATIONAL: SCIENCE – RESEARCH & DISCOVERY: Living walls: Indian student Prantar Tamuli develops carbon capturing building material in University College London(UCL)

Tamuli developed the C-ELM under the guidance of research supervisors during his MSc in Bio-Integrated Design, even innovating new methods to culture cyanobacteria at home during the Covid-19 lockdown in London.

An Indian student at University College London (UCL) has developed an innovative construction biomaterial that utilises living microorganisms to remove carbon dioxide from the atmosphere, potentially revolutionising the building industry’s carbon footprint.

Prantar Tamuli, a Master’s student in UCL’s Biochemical Engineering Department, recently introduced this material as part of an art installation at St Andrews Botanic Garden in Scotland.

The biomaterial, known as a cyanobacterial engineered living material (C-ELM), incorporates living cyanobacteria within translucent panels that can be mounted on the interior walls of buildings. As the microorganisms grow through photosynthesis, they capture carbon dioxide from the air.

“My goal with developing C-ELM is to shift the construction of our future human habitats from being a significant carbon-emitting activity to one that actively sequesters carbon,” Tamuli was quoted as saying by news agency PTI.

Through a process called biomineralisation, the captured CO2 is converted into calcium carbonate, effectively trapping the carbon.

A kilogram of C-ELM can capture up to 350g of carbon dioxide, while the same amount of traditional concrete would emit approximately 500g of CO2. A wall covered with 150 square metres of these panels could sequester about one tonne of carbon dioxide.

“The potential of this biomaterial is immense. If scaled up and widely implemented, it could significantly reduce the construction industry’s carbon footprint,” said Professor Marcos Cruz of UCL’s Bartlett School of Architecture and co-director of the Bio-Integrated Design Programme, according to the report by PTI.

Tamuli developed the C-ELM under the guidance of research supervisors during his MSc in Bio-Integrated Design, even innovating new methods to culture cyanobacteria at home during the Covid-19 lockdown in London.

Dr Brenda Parker, co-director of the Bio-Integrated Design Programme, added, “By breaking down traditional disciplinary barriers, we can enable breakthroughs like these. Biotechnology is now in a position to transform sustainable design and construction,” PTI reported.

Inspired by studying stromatolites—ancient structures formed by algal mats—Tamuli focused on the cyanobacteria species *Kamptonema animale*, which grows in long strands that easily bind to surrounding materials within the panels. The calcium carbonate produced by the cyanobacteria strengthens and reinforces the panels.

These panels offer multiple benefits for buildings, including being lightweight, sound-absorbing, translucent enough to allow light to pass through, and thermally insulating to improve energy efficiency.

The first panels were publicly displayed inside the “Bioscope” pavilion at St Andrews Botanic Garden, showcasing low-carbon, nature-inspired construction methods designed by the collective Studio Biocene. A patent for C-ELM technology has been filed by UCL’s commercialisation company, UCL Business.

source/content: indianexpress.com (headline edited)

NATIONAL : PATENT RECORD: Indian patent office grants record 1 lakh patents in past year, March 2023 – March 2024

The Patent Office granted over one lakh patents in the last 1 year (15-Mar-2023 to 14-Mar-2024). Every working day, 250 patents were granted, the ministry said.

The Ministry of Commerce and Industry said on Saturday (March 16) that the Patent Office has granted an unprecedented one lakh patents within a single year. As per an official release, in the fiscal year 2023-24 alone, the Patent Office received an all-time high of 90,300 patent applications.

The Patent Office granted over one lakh patents in the last 1 year (15-Mar-2023 to 14-Mar-2024). Every working day, 250 patents were granted, the ministry said. Alongside patent grants, there has been a notable surge in GI registrations, demonstrating a threefold increase compared to the previous year. Currently, India boasts 573 registered GIs, with 98 new registrations in the fiscal year 2023-24, according to the release.

Additionally, copyright registrations have reached a record-breaking 36,378, underscoring the vast potential within the creative sector. In the realm of design, the fiscal year 2023-24 witnessed the highest number of registrations to date, totalling 27,819, alongside the final disposal of 30,450 applications.

Noteworthy initiatives such as Toycathon, jointly organized by J&K SCERT and the Indian IP Office, have facilitated the registration of 115 novel designs by J&K school students, according to the release. The Trade Marks Registry has also redoubled its efforts to expedite trademark protection, committing to issuing examination reports within 30 days of receiving trademark applications.

In parallel, the National Intellectual Property Academy (NIPAM) has played a pivotal role in raising IP awareness, offering training to 24 lakh youths, particularly students and teachers, across over 7,000 institutions in the last two years. The announcement coincided with the official notification of the Patent Rules, 2024, which introduces several provisions aimed at simplifying the patent prosecution and maintenance processes.

These rules are poised to streamline the acquisition and management of patents, thereby nurturing an environment conducive to innovation and economic growth. Notable features of the revamped rules include provisions for acknowledging inventors’ contributions through a new ‘Certificate of Inventorship’ and reducing the time limit for filing examination requests to accommodate the fast pace of technological advancements, read the press release.

Highlighting the significance of these developments, government officials emphasized their commitment to enhancing the IP ecosystem and administration in the country. The Ministry of Commerce and Industry is dedicated to creating an environment that fosters innovation and economic development through robust IP protection mechanisms.

The surge in patent grants reflects India’s emergence as a hub for technological innovation, with one technology seeking IP protection every six minutes.

source/content: indiatvnews.com (headline edited)

NATIONAL: PATENTS: Mahindra & Mahindra receives a record 674 patents in FY24

Mahindra & Mahindra has received a record 674 patents in FY24, the most of any Indian 4-wheeler automobile/farm equipment manufacturer. This is a 380% increase in the number of patents issued to M&M over FY23.

The company said, “M&M is constantly pushing the boundaries of innovation by investing in research and the use of cutting-edge technology. Our strategy of prioritizing R&D has helped us to come up with futuristic automotive brands with world-class features. We firmly believe that by staying at the forefront of technology, we can deliver the loftiest expectations of our customers.

So far, we have been conferred 1185 patents across multiple geographies, and we currently have 193 applications awaiting patent approval, as of 31st March 2024. Cumulatively, we have filed 2212 patent applications to date. The patent portfolio also includes fillings of M&M’s subsidiary, Mahindra Electric Automobile Ltd. In addition to our patents, we have also got 115 designs registered and 178 new applications filed. This record-breaking achievement is a testament to our cutting-edge research prowess.”

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Disclaimer: No Business Standard Journalist was involved in creation of this content

source/content: business-standard.com (headline edited)

INTERNATIONAL / NATIONAL: PATENTS: IIT Madras records 92% jump in Indian patents granted during 2023

The number of international patents filed, including those granted under the Patent Cooperation Treaty, also recorded a significant increase, going up to 105 in 2023, from 58 in the preceding year.

The Indian Institute of Technology – Madras (IIT Madras) saw a 92 per cent jump in the number of Indian patents granted in 2023, rising from 156 patents in 2022 to 300 in 2023.

Additionally, the number of international patents filed, including those granted under the Patent Cooperation Treaty (PCT), also recorded a significant increase, going up to 105 in 2023, from 58 in the preceding year. Furthermore, as many as 221 patents have already been filed during the current financial year (as of December 2023), including 163 Indian patents and 63 international patent applications (including PCT).

Since the institute’s inception, a total of about 2,550 IP (including patent) applications have been filed both in India (1,800) and abroad (750) so far, out of which about 1,100 are registered IPs/granted patents (about 900 Indian and 200 international). Interestingly, the institute started filing patent applications as early as January 1975 (granted in May 1977). The total number of IP applications filed crossed 1,000 in 2016, 2,000 in 2022, and 2,500 in 2023.

Lauding the faculty, researchers, and students on their pioneering and translational research, V Kamakoti, director of IIT Madras, said, “As we are marching towards our 100th year of Independence, for Bharat to become a superpower, it is very important to protect our ideas. In this direction, I congratulate the faculty and students and the Office of Industrial Consultancy and Sponsored Research (ICSR) who have put together a very comprehensive programme, by which we have created a record in the number of patents filed.”

Researchers at IIT Madras are generating IP in domains such as wireless networks, advanced materials, robotics, additive manufacturing technology, engine advancements, assistive devices, advanced sensor applications, clean energy, aerospace applications, polymer materials, thin films, catalysts, and biomedical applications, among other emerging technologies. The Office of Industrial Consultancy and Sponsored Research (ICSR) at IIT Madras coordinates the different aspects related to intellectual property and technology transfer. The centre collaborates with faculty, researchers, and students and also has a dedicated legal cell.

Elaborating on the institute’s support provided to researchers, Manu Santhanam, dean (ICSR) at IIT Madras, said, “The institute has made it easy for inventors to access existing patent information through an online AI-based patent search tool. This facility has helped the inventors not only to quickly evaluate the invention by themselves but also to improve their ideas and claims. The emphasis is also equally on the quality of the work being translated as IP. This is only possible because of the collaborative effort of our inventors and the IP team.”

source/content: business-standard.com (headline edited)

NATIONAL: PATENT: Madhya Pradesh’s Science & Innovation: SGSITS’s Professor Satish Jain Created ‘Radiator Miniaturization’ To Be Used By ISRO, DRDO

Government of India recognized and granted the patent for the invention of ‘Noble and Optimized-Effective Ground Structural for Radiator Miniaturization’ created by Shri Govindram Seksaria Institute of Technology and Science (SGSITS) professor Satish Jain. He registered a patent for the same.

“I have reduced the size of the antenna to be installed on the nano satellite,” Jain said. He added that due to this, the quality of the satellite will improve.

“This has become possible after my hard work of the last 7 years,” Jain said. The invention is expected to be useful for the sky related satellite activities of the Government of India (Indian Space Satellite Research Center ISRO, DRDO)!

“Due to the smaller size of the antenna, the possibility of expanding the service by installing more modules in the satellite increases,” Jain said.

Director of the institute Rakesh Saxena said, “Nano satellite is a small satellite platform with very high density technology, which must use reliable design.” The invention can help in reliable and efficient nano satellites, he added.

source/content: freepressjournal.in (headline edited)

IIT-Bombay researchers patent technology that will save crores for steel industry and reduce emissions

A groundbreaking energy-efficient carbon dioxide (CO2) capture technology has been developed, offering the potential to revolutionize the steel industry while advancing India’s aim of achieving net-zero emissions by 2070. Developed by the National Centre of Excellence in Carbon Capture and Utilisation (NCoE-CCU) at IIT Bombay with support from the Department of Science and Technology (DST), this innovation enables the conversion of CO2 into carbon monoxide (CO) under electrocatalytic conditions at ambient temperatures, even in the presence of water.

Dr Arnab Dutta and Dr Vikram Vishal, along with dedicated researchers at the NCoE-CCU, have successfully patented the CO2-to-CO conversion technology. Moreover, their work is set to be published in the prestigious international journal, Nature Communications.

Carbon monoxide (CO) is widely used in the industrial sector, particularly in the form of synthesis gas (syngas). In the steel industry, CO is indispensable for converting iron ores into metallic iron within blast furnaces. However, the traditional method of CO generation involves the partial oxidation of coke or coal, leading to substantial CO2 emissions as a byproduct. 

The innovation developed by IIT Bombay’s NCoE-CCU offers a more sustainable approach by converting emitted CO2 into valuable CO. What sets this technology apart is its ability to function at ambient temperatures (25-40 °C) with minimal energy requirements.

This electrocatalytic reaction can efficiently harness energy from renewable sources, such as solar panels or windmills, ensuring a carbon-neutral process for converting CO2 to CO. Notably, this advancement aligns with India’s environmental goals and represents a critical pathway for mitigating greenhouse gas emissions.

The technology has immense potential for various industrial applications and is currently in the process of scaling up, thanks to the recent incubation of UrjanovaC Private Limited. The steel sector, in particular, stands to benefit from this breakthrough. Additionally, another technology for aqueous-based CO2 capture and conversion to calcium carbonate, originating from DST-supported NCoE-CCU activities, has been licensed to UrjanovaC Private Limited, incubated through SINE at IIT Bombay.

source/content: newsable.asianetnews.com